The Rise of Medusa
Three scents for Goldie Poblador's glass sculptures about the 2023 oil spill in the Verde Island Passage, Philippines.
- Years
- 2025 to 2026
- Role
- Scent artist, perfumer
- Lead artist
- Goldie Poblador
- Scents
- Oil Slick, Dead Coral, Verde
- Sound
- Ben Richter, five sound sculptures
- Performance
- Arvin Nogueras (Caliph8), Ben Richter, M Dougherty
- Curator, Manila
- Erwin Romulo

About the work
An oil spill in 2023 devastated the marine ecosystem of the Verde Island Passage. Goldie Poblador's glass sculptures answer it, merging female bodies with invertebrates from the passage, shaped with the glass-blowing techniques Leopold and Rudolf Blaschka used for their marine models. The work is the second stage of her series Sea Anomaly.
I made three scents for it, called Oil Slick, Dead Coral and Verde. They follow the passage from damage toward recovery, and sit with five sound sculptures by Ben Richter, so the room is read through sight, smell and sound together.
M to add the brief, how the three scents were built, and what changed between shows.

The scents
Three scents follow the passage from damage toward recovery.
Oil Slick
A suffocating blend of petrochemicals and gasoline that captures the invasive, toxic presence of oil spilling into the ocean. This scent clings to the air like the devastating film suffocating marine life.
notes metallic sharpness with acrid smokiness and the faint, decaying sweetness of contaminated waters
Dead Coral
A stark portrait of decay and loss, evoking the skeletal remains of bleached and lifeless coral. Mineralic and saline, it carries the bitter truth of what is left behind, bone and stone stripped of vitality.
notes cool, salty, mineral, powdery and dry
Verde
A breath of hope amidst devastation, Verde celebrates the thriving life that still endures. A fictional muguet, this scent blends the salty brightness of green mango flower with the lush vibrancy of the Philippines’ marine flora and fauna, a tribute to the resilience of the sea.
notes Fresh and green, with citrus brightness, tropical florals, and a salty, and watery lift

Each showing
Every showing of The Rise of Medusa takes a different form. In Manila and New York it was performed live, with sound and scent. Others showed the sculptures and scents on their own, for visitors to explore by themselves.
Goldie Poblador makes and updates the forms, so the piece keeps evolving.
Shown at
- 2025 to 2026Goldie Poblador: The Rise of Medusa, Artpace, San Antonio, TX, Sep 2025 to Jan 18, 2026
- 2025The Rise of Medusa, Special Exhibitions Section, Art Fair Philippines, with Mono8 Gallery, Manila, Feb 2025. Sonic and olfactory performance, Feb 22, Tower 2, Ayala Triangle Gardens
- 2025A Fold in Time, ISA Art Gallery, Jakarta, Apr 15 to Jun 20 (performance video)
- 2025Goldie Poblador: The Rise of Medusa, Olfactory Art Keller, New York, Jul 12 to Aug 2. Performance Jul 17 with Ben Richter and M Dougherty
Press
- 2025Goldie Poblador: The Rise of Medusa, Glasstire (Artpace release)
- 2025Goldie Poblador: The Rise of Medusa, Southwest Contemporary
- 2025Goldie Poblador's Glass Sculptures Aren't So Fragile, Vogue Philippines
- 2025Filipina Glass Artist Goldie Poblador on Ecology and Femininity, Rolling Stone Philippines
- 2025An art journey in Makati, BusinessWorld
- 2025Art Fair Philippines 2025, Inquirer Lifestyle
Credits
Glass, concept and performance: Goldie Poblador. Scent: M Dougherty. Sound sculptures: Ben Richter. Sound: Arvin Nogueras (Caliph8). Curator, Manila: Erwin Romulo. Text: Marv Recinto. Made possible through a grant from The Puffin Foundation and a residency at the Corning Museum of Glass.